Helmed by Bristol sound co-founder the musician-producer, this scabrous if slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for themselves – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, fuming after David kills his dog. Nevertheless, a darkly funny standoff unfolds – David eager to get away; the Poacher denying his container of scrumpy, determined to dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
Just a single key story turn, but it leads to a comically executed chaotic run on the forest trails that dips close to folk horror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
Game releases in UK and Irish cinemas from November 17.
